Alan Chartock is professor emeritus at the University at Albany. He hosts the weekly Capitol Connection series, heard on public radio stations around New York. The program, for almost 12 years, highlighted interviews with Governor Mario Cuomo and now continues with conversations with state political leaders. See stories by Alan Chartock. Related Content. The Roundtable. Joe Donahue. Our historic concert hall in Boston, Massachusetts, world-renowned for its lively acoustics.
But this baby boomer, born in , came to the position with musical chops, a remarkable work ethic, and a deep appreciation for both the institution of the Pops and its audience. His varied conducting experience encompassed both the symphonic and pops repertoire, as well as performances in concert halls and on recordings; he had most recently served as Associate Conductor of both the Cincinnati Symphony and Cincinnati Pops, and made his Boston Pops debut as a guest conductor in , just two years before he was appointed Conductor.
Over the next 25 years, with seemingly endless energy, Keith Lockhart, who holds the Julian and Eunice Cohen Boston Pops Conductor chair, would lead the Boston Pops in more than 2, concerts, in every imaginable setting—from hospitals to the Super Bowl—and collaborate with nearly guest artists, drawn from the worlds of classical and popular music, rock, jazz, sports, politics, Broadway, and Hollywood.
He has also led annual Boston Pops appearances at Tanglewood, Pops concerts at Carnegie Hall and Radio City Music Hall, 45 national tours to more than cities in 38 states, and four international tours to Japan and Korea. The annual July 4 Boston Pops Fireworks Spectacular draws a live audience of over half a million to the Charles River Esplanade, and millions more view it on television or live webcast.
In , with Eaton Vance as presenting sponsor and Bloomberg as the exclusive media partner, the Pops organization presented its first self-produced Boston Pops Fireworks Spectacular, which was broadcast on Bloomberg Television and all its media outlets.
Both companies are continuing their commitments to the event. Released at the beginning of the Pops season, Lights, Camera Six Decades of John Williams features Keith Lockhart leading the Boston Pops in a collection of Williams compositions from the s onward, including some rarities. He has worked closely with hundreds of talented young musicians, including Fellows of the Tanglewood Music Center, college students from the Boston Conservatory and Berklee College of Music, and area high school students.
He introduced the PopSearch talent competition and the innovative JazzFest and EdgeFest series, featuring prominent jazz and indie artists performing with the Pops. The "Promenade Concerts," as they were originally called, were soon informally known as "Popular Concerts," which eventually became shortened to "Pops," the name officially adopted in The following year the orchestra performed for the first time in its new home, Symphony Hall.
Not only is this performance space acoustically outstanding, it was also designed, at Higginson's insistence, so that the rows of seats for Boston Symphony concerts could be replaced by tables and chairs for Pops concerts.
To this day, patrons sitting at the cabaret-style tables can enjoy food and drink along with the kind of musical entertainment only the Boston Pops can provide. There were 17 Pops conductors, beginning with the German Adolf Neuendorff, that preceded Arthur Fiedler, the first American-born musician to lead the orchestra. When John Williams succeeded Arthur Fiedler, he was the most highly acclaimed composer in Hollywood, and today, with 52 Academy Award nominations, he is the most-nominated living person in Academy history.
Williams continued the Boston Pops Orchestra's prolific recording tradition with a series of best-selling recordings for the Philips and Sony Classical labels, broadened and updated the Pops repertoire, and entertained audiences with live orchestral accompaniment to clips of memorable movie scenes, many featuring iconic music from his own film scores.
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